Marcelo Fuentes
Valencia, 1955 (Spain)

Marcelo Fuentes chooses his spectators from among those able to establish sensorial, intellectual and emotion complicities with his creations.

His paintings have shed their desire to describe in favour of greater essentiality in the abstract power of the painting itself. Human beings never appear in his works and so, as spectators, we can travel the painted spaces alone, enigmatic places that make no distinction between nature and artefact, because through the action of the brushes, mountains and buildings can share the same substance and promote similar aesthetic experiences.